{"id":83,"date":"2007-03-01T16:04:00","date_gmt":"2007-03-01T15:04:00","guid":{"rendered":"https:\/\/new-faaam.parisnanterre.fr\/2005\/03\/01\/textes-genres-iii\/"},"modified":"2023-07-29T16:52:41","modified_gmt":"2023-07-29T14:52:41","slug":"textes-genres-iii","status":"publish","type":"post","link":"https:\/\/faaam.parisnanterre.fr\/?p=83","title":{"rendered":"Textes &#038; Genres III -2007"},"content":{"rendered":"<h4><strong>L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise<\/strong><\/h4>\n<p>Actes des colloques FAAAM 2005 et 2006<\/p>\n<h6>LE SOMMAIRE<\/h6>\n<p><strong>CLAIRE BAZIN ET MARIE-CLAUDE PERRIN-CHENOUR<\/strong> : &#8220;Avant-propos : L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise&#8221;<\/p>\n<p><strong>NADIA SETTI<\/strong> : &#8220;Donner corps \u00e0 la lettre : comment traduire le corps pensant ?&#8221;<\/p>\n<p><strong>ALICE CLARK<\/strong> : &#8220;Competing Systems of Fusion and Exclusion&#8221;<br \/>\n&#8211; Fabienne Moine : &#8220;La po\u00e9sie spasmodique d&#8217;Elizabeth Barrett Browning&#8221;<\/p>\n<p><strong>FRAN\u00c7OISE MARTIN-BERNARD<\/strong> : &#8220;Esther&#8217;s Nail: Women&#8217;s Bodies and Things in Elizabeth Gaskell&#8217;s <em>Mary Barton<\/em>&#8221;<\/p>\n<p><strong>LAURENCE TALAIRACH-VIELMAS<\/strong> : &#8220;Esth\u00e9tique d&#8217;un corps difforme : <em>Olive<\/em> (1850) de Dinah Craik&#8221;<\/p>\n<p><strong>MYRIAM-MADELEINE CRUSO\u00c9<\/strong> : &#8220;Cultre doloriste et culture f\u00e9ministe dans <em>The Mill on the Floss<\/em> de George Eliot&#8221;<\/p>\n<p><strong>MARC POR\u00c9E<\/strong> : &#8220;Angela Carter, ou si le corps m&#8217;\u00e9tait cont\u00e9&#8221;<\/p>\n<p><strong>ALICE BRAUN<\/strong> : &#8220;<em>A State of Siege<\/em> : le langage du trou&#8221;<\/p>\n<p><strong>IVANE MORTELETTE<\/strong> : &#8220;&#8216;Burgled of body&#8217; : corps et identit\u00e9 chez Janet Frame&#8221;<\/p>\n<p><strong>NICOLAS BOILEAU<\/strong> : &#8220;La d\u00e9couverte de la sexualit\u00e9 ou l&#8217;impossible conscience du corps dans les \u00e9crits autobiographiques de Plath et Frame&#8221;<\/p>\n<p><strong>LORIE-ANNE DUECH<\/strong> : &#8220;Margaret Atwood&#8217;s <em>Lady Oracle<\/em>: A Portrait of the Artist with a Body&#8221;<\/p>\n<p><strong>NADIA YASSINE-DIAB<\/strong> : &#8220;L&#8217;\u00e9criture du corps : ali\u00e9nation et r\u00e9bellion dans l&#8217;oeuvre de Jamaica Kincaid&#8221;<\/p>\n<p><strong>FIONA MCCANN<\/strong> : &#8220;The Violated Body: Dissolution and Dismemberment in Yvonne Vera&#8217;s <em>The Stone Virgins<\/em> and Zoe Wicomb&#8217;s <em>David&#8217;s Story<\/em>&#8221;<\/p>\n<p><strong>MARIA TANG<\/strong> : &#8220;Of Fate and Feet: Dis-memberment, Re-membering, Piecing Together in Monica Ali&#8217;s <em>Brick Lane<\/em>&#8221;<\/p>\n<p><strong>SALHIA BEN-MESSAHEL<\/strong> : &#8220;Explorations of the Mechanics of Sex in <em>The Bride Stripped Bare<\/em>, Niki Gemmell&#8217;s Anonymous Body of Fiction&#8221;<\/p>\n<p><strong>DELPHINE CINGAL<\/strong> : &#8220;La meurtri\u00e8re, l&#8217;auteure et la lectrice : expression assassine dans les romans policiers de P.D. James&#8221;<\/p>\n<p><strong>CLAIRE SORIN<\/strong> : &#8220;Les \u00e9criture du corps f\u00e9minin dans les journaux des Am\u00e9ricaines du dix-neuvi\u00e8me si\u00e8cle&#8221;<\/p>\n<p><strong>CHRISTOPHER L. ROBINSON<\/strong> : &#8220;Reading the &#8220;Stone Lips&#8221;: The Insight and Blindness of an &#8216;Ecoqueer&#8217; Approach to Willa Cather&#8217;s <em>Death Comes for the Archbishop<\/em>&#8221;<\/p>\n<p><strong>BRIGITTE ZAUGG<\/strong> : &#8220;&#8216;Clothes Make the (wo)man&#8217; : s\u00e9duction et pouvoir dans <em>The Age of Innocence<\/em> d&#8217;Edith Wharton&#8221;<\/p>\n<p><strong>MARGARET GILLESPIE<\/strong> : &#8220;Corps et corporalit\u00e9 dans <em>Nightwood<\/em> de Djuna Barnes&#8221;<\/p>\n<p><strong>MARIE LI\u00c9NARD<\/strong> : &#8220;Le Gargantua sudiste (f\u00e9minin) : po\u00e9tique d&#8217;un grotesque politique&#8221;<\/p>\n<p><strong>TA\u00cfNA TUKHUNEN<\/strong> : &#8220;L&#8217;\u00e9trange corpo-r\u00e9alit\u00e9 de Carson McCulers dans <em>The Ballad of the Sad Caf\u00e9<\/em>&#8221;<\/p>\n<p><strong>MARIE EMILIENNE COMTOIS<\/strong> : &#8220;Corps malade et corps sain dans le cycle atemporel de Carson McCullers : combat contre l&#8217;usure du temps et contre une mort incontournable&#8221;<\/p>\n<p><strong>MARIE MAS<\/strong> : &#8220;L&#8217;image du corps et son \u00e9volution dans trois po\u00e8mes d&#8217;Elizabeth Bishop&#8221;<\/p>\n<p><strong>LAURE DE NERVAUX<\/strong> : &#8220;&#8216;The blood jet is poetry&#8217; : \u00e9criture et blessure dans les derniers po\u00e8mes de Sylvia Plath&#8221;<\/p>\n<p><strong>G\u00c9RALD PR\u00c9HER<\/strong> : &#8220;Corps et d\u00e9cor dans la fiction de Shirley Ann Grau&#8221;<\/p>\n<p><strong>ANNE ULLMO<\/strong> : &#8220;Rikki Ducornet : le corps et ses curiosit\u00e9s&#8221;<\/p>\n<p><strong>ST\u00c9PHANIE DURRANS<\/strong> : &#8220;Le corps en crise, espace du sublime dans <em>Fast Lanes<\/em> de Jayne Anne Phillips&#8221;<\/p>\n<p><strong>CLAUDE LE FUSTEC<\/strong> : &#8220;Au coeur du corps : l&#8217;\u00e9vangile de la chair selon les femmes \u00e9crivains africaines-am\u00e9ricaines&#8221;<\/p>\n<p><strong>DIANE SABATIER<\/strong> : &#8220;&#8216;Nineteen Thirty-Seven&#8217; : vivre en corps apr\u00e8s 1937 selon Edwige Danticat&#8221;<\/p>\n<p><strong>SILVIA SCHULTERMANDL<\/strong> : &#8220;Language, Body, Transnational Solidarity: Corporeality in Asian American Mother-Daughter Writing&#8221;<\/p>\n<p><strong>Articles r\u00e9unis par Claire Bazin et Marie-Claude Perrin-Chenour.<\/strong><\/p>\n<p>Nanterre : Publidix, 2007. N\u00b0 ISBN : 978-2-907335-35-5<\/p>\n<p><strong>Pour commander, s&#8217;adresser \u00e0 : Publidix (<a href=\"publidix@u-paris10.fr\">publidix@u-paris10.fr<\/a>)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise Actes des colloques FAAAM 2005 et 2006 LE SOMMAIRE CLAIRE BAZIN ET MARIE-CLAUDE PERRIN-CHENOUR : &#8220;Avant-propos : L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise&#8221; NADIA SETTI : &#8220;Donner corps \u00e0 la lettre : comment traduire le corps pensant ?&#8221; ALICE CLARK : [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-83","post","type-post","status-publish","format-standard","hentry","category-revue-textes-et-genres-2002-2011"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Webmaster","author_link":"https:\/\/faaam.parisnanterre.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise Actes des colloques FAAAM 2005 et 2006 LE SOMMAIRE CLAIRE BAZIN ET MARIE-CLAUDE PERRIN-CHENOUR : &#8220;Avant-propos : L&#8217;\u00e9criture du corps dans la litt\u00e9rature f\u00e9minine de langue anglaise&#8221; NADIA SETTI : &#8220;Donner corps \u00e0 la lettre : comment traduire le corps pensant ?&#8221; ALICE CLARK :&hellip;","_links":{"self":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/83","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=83"}],"version-history":[{"count":4,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/83\/revisions"}],"predecessor-version":[{"id":413,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/83\/revisions\/413"}],"wp:attachment":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=83"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=83"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=83"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}