Universit\u00e9 Paris X-Nanterre : RER A \u2013 station : Nanterre-Universit\u00e9<\/em><\/p>\n <\/p>\n In her now famous article, “When We Dead Awaken: Writing as Re-Vision”, Adrienne Rich wrote in 1971: “Re-vision \u2013 the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction \u2013 is for women more than a chapter in cultural history: it is an act of survival”. In this same pamphlet, she envisaged the rewriting of the Literature Canon as a necessary rupture from the past (“we need to know the writing of the past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us.”) Rich was referencing a long tradition of masculin texts she had herself worked to “re-view” in her poems by using the famous works of Yeats, Wordsworth or William Blake for example, as critical metatextual commentaries. For her, “re-viewing” did not simply consist in a “transposition” or a “textual permutation” (to use the formulations of Julia Kristeva’s attempt to define intertextuality in La R\u00e9volution du langage po\u00e9tique<\/em> or in S\u00e9m\u00e9iotik\u00e8<\/em>). It was not either a purely recreational, postmodern endeavour. With the same ambition for stylistic creativity, Rich saw rewriting first and foremost as a political act. Since the 1970s, other women writers have undertaken this re-reading, re-interpretation and re-writing of canonic texts, whether in Great-Britain (Angela Carter) or in the United States, where minority authors play with the double literary tradition (male and western) to counter it with their own double discourse (female and ethnic), for aesthetic and political purposes. Rewriting of the “master\u2019s discourse” echoes the African American art of “Signifying”.<\/p>\n Presenters will attempt, through detailed text analyses, to apprehend the various forms of rewriting, the specific relation between the hypertext and the hypotext, and the levels at which they operate. One question of interest is whether, like for Rich, rewriting necessarily implies a break from the old order or if, in certain cases, there is a form of continuity.<\/p>\n (Salle des colloques \u2013 Buiding K 1st floor)<\/strong><\/p>\n – 9:15 – Greetings and Introduction by Emily Eells<\/strong>, director of the CREA<\/p>\n 9:30 -10:30 Professor at the University of Minnesota [[Jack Zipes, author of many books on the rewriting of fairty tales, including Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales<\/em> (1979) ; Fairy Tales and the Art of Subversion<\/em> (1983) ; The Trials and Tribulations of Little Red Riding Hood<\/em> (1983) ; Don\u2019t Bet on the Prince: Contemporary Feminist Fairy Tales in North America and England<\/em> (1986) ; Happily Ever After: Fairy Tales, Children and the Culture Industry<\/em> (1997) ; The Oxford Companion to Fairy Tales<\/em> (2003) ; Hans Christian Andersen : The Misunderstood Storyteller<\/em> (2005) ; The Norton Anthology of Children\u2019s Literature<\/em> (2005) ; Why Fairy Tales Stick: The Evolution and Relevance of a Genre<\/em> (2006)]]<\/p>\n \u201cAnd Nobody Lives Happily Ever After: The Feminist Fairy Tale after Fighting Forty Years for Survival\u201d<\/em><\/p><\/blockquote>\n – 10:30 -11 Break<\/p>\n 11-12:30 – PANELS<\/strong>:<\/p>\n BRITISH LIT (salle des colloques)<\/em>– Chair: Claire Bazin<\/p>\n – 11-11:30 Anne Chassagnol<\/strong> (Universit\u00e9 Paris X-Nanterre) : \u00ab Pages d\u2019\u00e9criture, art de la r\u00e9\u00e9criture : le conte lu, vu, relu et revu par R. Doyle (1824-1883) \u00bb AMERICAN LIT (room K 202)<\/em>– Chair: Marie-Claude Perrin-Chenour<\/p>\n – 11-11:30 Anne-Laure Fran\u00e7ois<\/strong> (Universit\u00e9 Lille III) : \u00ab \u2018Lively, simple books are very much needed for girls, and perhaps I can supply the need\u2019 : (r\u00e9)\u00e9criture du canon litt\u00e9raire enfantin dans l\u2019oeuvre de Louisa May Alcott \u00bb – 12:30-2pm Lunch\/Buffet – 2-5pm – PANELS <\/strong>:<\/p>\n BRITISH LIT (salle des colloques)<\/em>– Chair: Claire Bazin<\/p>\n – 2-2:30 Caroline Marie<\/strong> (Universit\u00e9 Paris VIII) : \u00ab Orlando<\/em> : or The Enigma of the Sexes<\/em> d\u2019Angela Carter : pourquoi r\u00e9\u00e9crire Orlando : A Biography<\/em> de Virginia Woolf \u00bb AMERICAN Lit (room K 202)<\/em>– Chair: Marie-Claude Perrin-Chenour<\/p>\n – 2-2:30 Nicole Ollier<\/strong> (Universit\u00e9 Bordeaux III) : \u00ab Eudora Welty : Circ\u00e9, divine amoureuse, ou la magie \u00e0 l\u2019\u00e9preuve du masculin \u00bb – 3:30-4 Break<\/p>\n BRITISH LIT (salle des colloques) :<\/em> chef d\u2019atelier : Claire Bazin AMERICAN LIT (salle K 202) :<\/em> chef d\u2019atelier : Marie-Claude Perrin-Chenour (Salle des colloques \u2013 Buiding K 1st floor)<\/strong><\/p>\n Morning: BRITISH LIT<\/strong><\/p>\n – 9:30-10h Helen Mundler<\/strong> (Universit\u00e9 Paris XII) : \u201cTime to Murder and Create? The Bible as Intertext in A.S. Byatt\u2019s Elementals: Stories of Fire and Ice<\/em>\u201d – 10:30-11 Break<\/p>\n – 11-11:30 Isabelle Roblin<\/strong> (Universit\u00e9 du littoral \u2013 C\u00f4te d\u2019Opale) : \u201cEmma Tennant\u2019s Heathcliff\u2019s Tale<\/em> : or, is it ?\u201d (2005) – 12-1:30 Lunch\/Buffet<\/p>\n AFTERNOON: AMERICAN LIT<\/strong><\/p>\n – 13:30-2 Isabelle Van Peteghem<\/strong> (CPGE Angers\/Paris III) : \u00ab R\u00e9volte et lib\u00e9ration textuelles dans The Color Purple<\/em> d\u2019Alice Walker \u00bb – 2:30-3 Break<\/p>\n – 3-3:30 Lorine Grimaud<\/strong> (CPGE Angers\/Universit\u00e9 Paris X-Nanterre \u2013 litt\u00e9rature et Po\u00e9tique compar\u00e9es) : \u00ab De la \u2018chair fra\u00eeche\u2019 \u00e0 la chair-texte. Joyce Carol Oates, Beasts<\/em> : Gillian ou une r\u00e9\u00e9criture contemporaine de la figure du poucet \u00bb FAAAM is part of the CREA (EA 370) Annual Theme: “Singular\/Plural(s)” Organized by: Claire Bazin (British Literature) and Marie-Claude Perrin-Chenour (American Literature) Universit\u00e9 Paris X-Nanterre : RER A \u2013 station : Nanterre-Universit\u00e9<\/p>\n","protected":false},"author":1,"featured_media":68,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-69","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-symposiums-conferences"],"uagb_featured_image_src":{"full":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png",464,641,false],"thumbnail":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58-150x150.png",150,150,true],"medium":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58-217x300.png",217,300,true],"medium_large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png",464,641,false],"large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png",464,641,false],"1536x1536":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png",464,641,false],"2048x2048":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png",464,641,false]},"uagb_author_info":{"display_name":"Webmaster","author_link":"https:\/\/faaam.parisnanterre.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"FAAAM is part of the CREA (EA 370) Annual Theme: “Singular\/Plural(s)” Organized by: Claire Bazin (British Literature) and Marie-Claude Perrin-Chenour (American Literature) Universit\u00e9 Paris X-Nanterre : RER A \u2013 station : Nanterre-Universit\u00e9","_links":{"self":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/69","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=69"}],"version-history":[{"count":4,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/69\/revisions"}],"predecessor-version":[{"id":447,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/69\/revisions\/447"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/media\/68"}],"wp:attachment":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=69"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=69"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=69"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![](\"https:\/\/new-faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/02\/arton58.png\")
<\/p>\n![\"reecriture-canon-litt-fem-2.jpg\"](\"https:\/\/new-faaam.parisnanterre.fr\/wp-content\/uploads\/2007\/05\/reecriture-canon-litt-fem-2.jpg\")
<\/p>\nPresentation:<\/h2>\n
Programme<\/h6>\n
FRIDAY JUNE 1<\/h6>\n
\nKeynote Conference Jack Zipes<\/strong><\/p>\n
\n– 11:30-12 Laurence Talairach<\/strong> (Universit\u00e9 Toulouse-le-Mirail) : \u201cWeaving the Threads of the Tapestry: Storyspinning in Mrs Molesworth\u2019s The Tapestry Room<\/em> (1877)\u201d
\n– 12-12:30 Eva Loechner<\/strong> (Universit\u00e9 Paris III) : \u00ab La r\u00e9\u00e9criture de la romance chez George Eliot : l\u2019exemple de Silas Marner<\/em> \u00bb<\/p>\n
\n– 11:30-12 Caroline Gu\u00e9ny<\/strong> (Universit\u00e9 Paris VIII) : \u00ab Ethan Frome<\/em> et \u2018la grande Bret\u00e8che\u2019 : Wharton r\u00e9\u00e9crivant Balzac \u00bb
\n– 12-12:30 Brigitte Zaugg<\/strong> (Universit\u00e9 de Metz) : \u201cRevamping the Heroine of Plantation Fiction : Ellen Glasgow\u2019s and Margaret Mitchell\u2019s strategies in Barren Ground<\/em> and Gone with the Wind<\/em>\u201d<\/p>\n
\n(Building K)<\/p>\n
\n– 2:30-3 Julie Sauvage<\/strong> (Universit\u00e9 de Reims) : \u201cRe-membering Fairy Tales in Angela Carter\u2019s The Bloody Chamber<\/em>\u201d
\n– 3-3:30 Lydia Martin<\/strong> (Universit\u00e9 d\u2019Aix-en-Provence) : \u00ab The Piano<\/em> de Jane Campion : le motif de Barbe Bleue<\/em> ou la re-naissance d\u2019une voix f\u00e9minine \u00bb<\/p>\n
\n– 2:30-3 Elisabeth Lamothe<\/strong> (Universit\u00e9 Versailles-Saint-Quentin) : \u00ab \u2018Faithful Princesses and Mischievous Fairies\u2019 : les contes pour enfants, premiers \u00e9crits de Katherine Anne Porter \u00bb
\n– 3-3:30 G\u00e9rald Pr\u00e9her<\/strong> (Universit\u00e9 Versailles Saint-Quentin) : \u00ab \u2018I think it\u2019s fair to say that everything a writer hears or reads is potentially an influence\u2019 : de l\u2019hypotexte \u00e0 l\u2019intertexte dans la fiction de Shirley Ann Grau. \u00bb<\/p>\n
\n– 4-4:30 Armelle Parey<\/strong> (Universit\u00e9 de Caen) : \u201cKate Atkinson : Rewriting Fairy Tales in Human Croquet<\/em> (1997) \u201d
\n– 4:30-5 Monica Girard<\/strong> (Universit\u00e9 Nancy II) : \u201c\u2018And they Lived Happily Ever After\u2019: Wintersonian Variations on Marital Bliss in Sexing the Cherry<\/em>\u201d<\/p>\n
\n– 4-4:30 Marie Mas<\/strong> (Universit\u00e9 Grenoble III) : \u00ab Re-cr\u00e9ation des genres dans la po\u00e9sie d\u2019Elizabeth Bishop \u00bb
\n– 4:30-5 Laure de Nervaux<\/strong> (Universit\u00e9 Paris XII) : \u00ab \u2018That Story\u2019 : Les m\u00e9tamorphoses du r\u00e9cit dans Transformations<\/em> d\u2019Anne Sexton \u00bb<\/p>\nSATURDAY JUNE 2<\/h2>\n
\n– 10-10:30 Grazia Ghellini<\/strong> (Universit\u00e9 de N\u00eemes) : \u201c \u2018Vivam !\u2019 Heraclitean Change and Vitalism in Marina Warner\u2019s The Leto Bundle<\/em>\u201d<\/p>\n
\n– 11:30-12 Marie-Lise Paoli<\/strong> (Universit\u00e9 Bordeaux III) : \u00ab N\u00e9gociations avec l\u2019autorit\u00e9 : l\u2019Odyss\u00e9e<\/em> selon Margaret Atwood \u00bb<\/p>\n
\n– 2-2:30 Christopher Robinson<\/strong> (HEC\/Universit\u00e9 Paris X-Nanterre) : \u201cThe Witch, the Step-Mother and the Dragon-Child: Ursula K. Le Guin\u2019s Re-visioning of Fantasy\u201d<\/p>\n
\n– 4-4:30 Aristie Trendel<\/strong> (Universit\u00e9 Montpellier I) : \u201cRikki Ducornet revisits Hawthorne: The Stain<\/em> or a Time for \u2018Sexts\u2019\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"