{"id":37,"date":"2003-03-02T00:00:00","date_gmt":"2003-03-01T23:00:00","guid":{"rendered":"https:\/\/new-faaam.parisnanterre.fr\/2005\/03\/02\/textes-genres-ii\/"},"modified":"2023-07-29T16:54:25","modified_gmt":"2023-07-29T14:54:25","slug":"textes-genres-ii","status":"publish","type":"post","link":"https:\/\/faaam.parisnanterre.fr\/?p=37","title":{"rendered":"Textes & Genres II -2003"},"content":{"rendered":"

“Sens et Figures de la marge dans les litt\u00e9ratures f\u00e9minines anglo-am\u00e9ricaines” (2003)
\n<\/strong><\/h3>\n

ANNE BERTON<\/strong> : “The Fortunes of Perkin Warbeck, A Romance<\/em> (1830), de Mary Shelley : roman des marges”<\/p>\n

LAURENCE TALAIRACH-VIELMAS<\/strong> : “Marginalit\u00e9 et \u00e9criture \u00e0 l’\u00e8re de la reproduction industrielle : Le cas du roman \u00e0 sensation”<\/p>\n

MARIANNE CAMUS<\/strong> : “Aurora Leigh<\/em> : Cultiver la marge ?”<\/p>\n

BENJAMINE TOUSSAINT-THIRIET<\/strong> : “Elizabeth Gaskell, en marge du f\u00e9minisme ?”<\/p>\n

ELEANOR STEWART<\/strong> : “The ‘New Woman’ in Elizabeth Robins’s Votes for Women<\/em> : from Marginality to Ascendancy”<\/p>\n

ARMELLE PAREY<\/strong> : “A.S. Byatt : Pour une nouvelle repr\u00e9sentation litt\u00e9raire du personnage f\u00e9minin victorien ?”<\/p>\n

NADEGE MARSALEIX<\/strong> : “La conspiration du silence dans l’oeuvre de Virginia Woolf : Quand (se) taire c’est (se) dire”<\/p>\n

ANNE ETIENNE<\/strong> : “Top Girls<\/em> de Caryl Churchill : La marginalit\u00e9 des personnages f\u00e9minins”<\/p>\n

CAMILLE MANFREDI<\/strong> : “Marges et discours clandestins: The Trick is to Keep Breathing<\/em>, Janice Galloway (1989)<\/p>\n

NADEGE LEROUGE<\/strong> : “La correspondance d’Emily Dickinson avec quelques uns de ses destinataires masculins : vers un renversement du rapport de pouvoir hommes-femmes”<\/p>\n

PASCALE VOILLEY<\/strong> : ” To Deflect History Onto a Better Path” : Charlotte Perkins Gilman’s Machiavellian Gambit”<\/p>\n

FANNY MAZZONE<\/strong> : “Le Papier peint jaune<\/em> de Charlotte Perkins Gilman et la rh\u00e9torique de la marge : Du discours \u00e9ditorial \u00e0 la po\u00e9tique de la forclusion f\u00e9minine”<\/p>\n

BRIGITTE ZAUGG<\/strong> : “Figures de la marge dans The House of Mirth<\/em> d’Edith Wharton”<\/p>\n

MARIE-ODILE SALATI<\/strong> : “Entre discours dominant et renoncement : Le dilemme de The House of Mirth<\/em> d’Edith Wharton”<\/p>\n

MARGARET GILLESPIE<\/strong> : “Djuna Barnes, ‘Pen Performer’ et ‘Newspaperman'”<\/p>\n

NANCY HONICKER<\/strong> : “Elizabeth Bishop, ‘Minor Female Wordsworth’, ou comment renouveler \u00e0 partir de la marge”<\/p>\n

ELISABETH LAMOTHE<\/strong> : “Les lettres et essais de Katherine Anne Porter : marginalia ou magnum opus?”<\/p>\n

FRANCOISE BUISSON<\/strong> : “Du Sud au Nord, de la marge au centre: S\u00e9cession et ascension des femmes dans On the Occasion of my Last Afternoon (1998) de Kaye Gibbons”<\/p>\n

CHRISTOPHER L. ROBINSON<\/strong> : “The Violence of Style in Kathy Acker’s Empire of the Senseless<\/em>”<\/p>\n

ANNE ULLMO<\/strong> : “Rikki Ducornet et l’\u00e9criture baroque”<\/p>\n

CLAUDE COHEN-SAFIR<\/strong> : “Noires fronti\u00e8res : Ecrivaines contemporaines de fiction polici\u00e8re aux fronti\u00e8res du genre”<\/p>\n

DELPHINE CINGAL<\/strong> : “Temperance Brennan et Kay Scarpetta : La scientifique et la mort”<\/p>\n

SUGANYA ANANDAKICHENIN<\/strong> : “‘Doubly Other’ : the Double Marginalisation of Women in 19th Century Indo-Anglian Women’s Literature”<\/p>\n

MATHILDE ROGEZ<\/strong> : “No Woman’s Land<\/em> : une figure de femme sans nom ni lieu dans Without a Name<\/em> d’Yvonne Vera (Harare, Zimbabwe, Baobab Books, 1994)”<\/p>\n

FRANCOISE SAMMARCELLI<\/strong> : “Paradise<\/em> de Toni Morrison ou le r\u00e9cit para-doxal”<\/p>\n

YVES-CHARLES GRANDJEAT<\/strong> : “Le passage \u00e0 la marge dans Monkey Hunting<\/em> de Cristina Garcia”<\/p>\n

CHRISTINE LORRE<\/strong> : “Amy Tan or the Opposite of Marginalism :
\nA Study of The Bonesetter’s Daughter<\/em>”<\/p>\n

CHARLOTTE STURGESS<\/strong> : “Cultural Borderlands and Textual Borders in Larissa Lai’s When Fox is a Thousand<\/em>”<\/p>\n

DIANE SABATIER<\/strong> : “L’ethnicit\u00e9 \u00e0 l’\u00e9preuve du corp(us)s ou les voix\/voies de Stephanie Allen, Lan Samantha Chang, Ginu Kamani, Susan Power et Edwidge Danticat”<\/p>\n

Articles r\u00e9unis par Claire Bazin et Marie-Claude Perrin-Chenour.<\/strong><\/p>\n

Nanterre : Plublidix, 2003. N\u00b0 ISBN : 2-907335-34-0<\/p>\n

\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

“Sens et Figures de la marge dans les litt\u00e9ratures f\u00e9minines anglo-am\u00e9ricaines” (2003) ANNE BERTON : “The Fortunes of Perkin Warbeck, A Romance (1830), de Mary Shelley : roman des marges” LAURENCE TALAIRACH-VIELMAS : “Marginalit\u00e9 et \u00e9criture \u00e0 l’\u00e8re de la reproduction industrielle : Le cas du roman \u00e0 sensation” MARIANNE CAMUS : “Aurora Leigh : […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-37","post","type-post","status-publish","format-standard","hentry","category-revue-textes-et-genres-2002-2011"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Webmaster","author_link":"https:\/\/faaam.parisnanterre.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"“Sens et Figures de la marge dans les litt\u00e9ratures f\u00e9minines anglo-am\u00e9ricaines” (2003) ANNE BERTON : “The Fortunes of Perkin Warbeck, A Romance (1830), de Mary Shelley : roman des marges” LAURENCE TALAIRACH-VIELMAS : “Marginalit\u00e9 et \u00e9criture \u00e0 l’\u00e8re de la reproduction industrielle : Le cas du roman \u00e0 sensation” MARIANNE CAMUS : “Aurora Leigh :…","_links":{"self":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37"}],"version-history":[{"count":4,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/37\/revisions"}],"predecessor-version":[{"id":417,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/37\/revisions\/417"}],"wp:attachment":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}