{"id":36,"date":"2003-03-03T00:00:00","date_gmt":"2003-03-02T23:00:00","guid":{"rendered":"https:\/\/new-faaam.parisnanterre.fr\/2005\/03\/03\/textes-genres-i\/"},"modified":"2023-08-01T17:20:21","modified_gmt":"2023-08-01T15:20:21","slug":"textes-genres-i","status":"publish","type":"post","link":"https:\/\/faaam.parisnanterre.fr\/?p=36","title":{"rendered":"Textes &#038; Genres I (2003)"},"content":{"rendered":"<h6><strong>Les strat\u00e9gies d&#8217;\u00e9criture des femmes-\u00e9crivains anglaises et am\u00e9ricaines au 19\u00e8me si\u00e8cle.<br \/>\n<\/strong>Actes du colloque des 7 et 8 juin 2002.<\/h6>\n<h6>le sommaire :<\/h6>\n<p>ANGLETERRE :<\/p>\n<p><strong>LAURENCE TALAIRACH :<\/strong><\/p>\n<p>&#8220;Sensations of their Own&#8221;: Les romans d\u00e9fendus de l&#8217;Angleterre victorienne.<\/p>\n<p><strong>FABIENNE MOINE-PEREZ :<\/strong><\/p>\n<p>La po\u00e9sie d\u00e9sengag\u00e9e d&#8217;Elizabeth Barrett Browning ou la r\u00e9formation de la voix po\u00e9tique.<\/p>\n<p><strong>LAURENT BURY :<\/strong><\/p>\n<p>Elle et lui : Mrs Oliphant joue sur les mots dans Miss Marjoribanks.<\/p>\n<p><strong>MARIANNE CAMUS :<\/strong><\/p>\n<p>Elizabeth Gaskell ou le f\u00e9minisme de la colombe.<\/p>\n<p><strong>EMILY EELLS :<\/strong><br \/>\nCharlotte Bront\u00eb en fran\u00e7ais dans le texte.<\/p>\n<p><strong>ETAT-UNIS :<br \/>\n<\/strong><\/p>\n<p><strong>CECILE ROUDEAU :<\/strong><\/p>\n<p>&#8220;A Design of their Own&#8221; : E pluribus unum ou The Country of the Pointed Firs comme &#8220;friendship quilt&#8221;.<\/p>\n<p><strong>PASCALE DENANCE :<\/strong><\/p>\n<p>Strat\u00e9gies d&#8217;\u00e9criture et construction du sujet dans The Yellow Wallpaper de Charlotte Perkins Gilman.<\/p>\n<p><strong>STEPHANIE BROCHON-DURRANS :<\/strong><\/p>\n<p>D\u00e9serts domestiques, d\u00e9sirs d&#8217;aventure dans l&#8217;oeuvre de Willa Cather.<\/p>\n<p><strong><br \/>\nPIERRE DEGOTT :<\/strong><\/p>\n<p>Intertextualit\u00e9 litt\u00e9raire et musicale dans The Song of the Lark de Willa Cather.<\/p>\n<p><strong>ANNE ULLMO :<\/strong><\/p>\n<p>Passivation et passivit\u00e9 dans The House of Mirth d&#8217;Edith Wharton.<\/p>\n<p><strong>Articles r\u00e9unis par Claire Bazin et Marie-Claude Perrin-Chenour.<\/strong><\/p>\n<p>Nanterre : Plublidix, 2003. N\u00b0 ISBN : 2-907335-24-3<\/p>\n<p><strong>Pour commander, s&#8217;adresser \u00e0 : Publidix (publidix@u-paris10.fr)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les strat\u00e9gies d&#8217;\u00e9criture des femmes-\u00e9crivains anglaises et am\u00e9ricaines au 19\u00e8me si\u00e8cle. Actes du colloque des 7 et 8 juin 2002. le sommaire : ANGLETERRE : LAURENCE TALAIRACH : &#8220;Sensations of their Own&#8221;: Les romans d\u00e9fendus de l&#8217;Angleterre victorienne. FABIENNE MOINE-PEREZ : La po\u00e9sie d\u00e9sengag\u00e9e d&#8217;Elizabeth Barrett Browning ou la r\u00e9formation de la voix po\u00e9tique. LAURENT [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":35,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[20],"tags":[],"class_list":["post-36","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-revue-textes-et-genres-2002-2011"],"uagb_featured_image_src":{"full":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14.png",464,404,false],"thumbnail":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14-150x150.png",150,150,true],"medium":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14-300x261.png",300,261,true],"medium_large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14.png",464,404,false],"large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14.png",464,404,false],"1536x1536":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14.png",464,404,false],"2048x2048":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2005\/03\/arton14.png",464,404,false]},"uagb_author_info":{"display_name":"Webmaster","author_link":"https:\/\/faaam.parisnanterre.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"Les strat\u00e9gies d&#8217;\u00e9criture des femmes-\u00e9crivains anglaises et am\u00e9ricaines au 19\u00e8me si\u00e8cle. Actes du colloque des 7 et 8 juin 2002. le sommaire : ANGLETERRE : LAURENCE TALAIRACH : &#8220;Sensations of their Own&#8221;: Les romans d\u00e9fendus de l&#8217;Angleterre victorienne. FABIENNE MOINE-PEREZ : La po\u00e9sie d\u00e9sengag\u00e9e d&#8217;Elizabeth Barrett Browning ou la r\u00e9formation de la voix po\u00e9tique. LAURENT&hellip;","_links":{"self":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":3,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":428,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions\/428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/media\/35"}],"wp:attachment":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}