{"id":128,"date":"2018-06-16T14:42:19","date_gmt":"2018-06-16T14:42:19","guid":{"rendered":"https:\/\/new-faaam.parisnanterre.fr\/2018\/06\/16\/conference-september-2018-writing-her-self-in-text-and-image-in-anglophone-womens-life-writing\/"},"modified":"2023-07-21T15:53:26","modified_gmt":"2023-07-21T13:53:26","slug":"conference-september-2018-writing-her-self-in-text-and-image-in-anglophone-womens-life-writing","status":"publish","type":"post","link":"https:\/\/faaam.parisnanterre.fr\/?p=128","title":{"rendered":"Conference September 2018 Writing her\/self in text and image in Anglophone women\u2019s life writing"},"content":{"rendered":"<p class=\"post_excerpt\">programme  28 &#038; 29 September 2018<br \/>\nUniversit\u00e9 Paris Nanterre, RER A, arr\u00eat &#8220;Nanterre Universit\u00e9&#8221;<br \/>\n200 avenue de la R\u00e9publique, Nanterre<\/p>\n<p>ROOM R13  BUILDING IDA MAIER FRIDAY<\/p>\n<p><!--more--><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-127\" src=\"https:\/\/new-faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png\" width=\"539\" height=\"749\" srcset=\"https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png 539w, https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108-216x300.png 216w\" sizes=\"auto, (max-width: 539px) 100vw, 539px\" \/><\/p>\n<p>Writing Her\/self in Text and Image  in Anglophone Women&#8217;s Life Writing<br \/>\nTexte, image &#038; \u00e9criture de soi dans les r\u00e9cits de vie f\u00e9minins de langue anglaise<\/p>\n<p>FRIDAY 28 SEPTEMBER 2018    B\u00e2timent  Ida Maier  ( b\u00e2timent V)  Universit\u00e9 Paris Nanterre   <strong> Room V R13<\/em><\/p>\n<p>9:30am-10:15  Keynote speaker: Laura Marcus (New College, Oxford University) \u201cIllustrated Lives: Photography and Life-Writing\u201d  introduced by Claire Bazin, Faaam, CREA, Paris Nanterre<br \/>\n10:15-11:15 Workshop 1 \u201cWhen pictures tell (other) stories\u201d: Photography I<br \/>\nChair: Corinne Bigot<br \/>\n-Floriane Reviron-Pi\u00e9gay (Universit\u00e9 Jean Monnet, Saint-Etienne): \u201cIsabella Bird-Bishop\u2019s Representation of the Self in her Last Two Asian Travel Accounts\u201d<br \/>\n-Xavier Lachazette (Le Mans Universit\u00e9): \u201cVerbal-Visual Discourse and Counter-Discourse in Daphne Du Maurier\u2019s Autobiography\u201d<\/p>\n<p>11:30-1:00 Workshop 2 \u201cPhotography &#038; Commitment\u201d: Photography  II<br \/>\nChair:  Nathalie Saudo<br \/>\n-H\u00e9loise Vallier-Mathieu (Universit\u00e9 Paris Est Marne la Vall\u00e9e): \u201cFour African American Activists\u2019 Memoirs: Herstory and History\u201d<br \/>\n-Marieke Spychala (University of Bamberg): \u201cIllustrating War: Gender, Violence and War in Photographs in Female Veterans\u2019 Autobiographies\u201d<br \/>\n-Atalie Gerhard (Friedrich-Alexander University of Erlangen-Nuremberg): \u201cSelf-Representation Behind Bars: \u201cOn the Redemptive Potential of Prison Narrative in Inner Lives: Voices of African American Women in Prison\u201c <\/p>\n<p>[lunch break: 1:00-2:30]<br \/>\n2:30-3:30   Keynote speaker: Lyn Thomas (University of Sussex): \u201cClothes Pegs: A Woman&#8217;s Life in Text and Image&#8221;<br \/>\nIntroduced by Val\u00e9rie Baisn\u00e9e<\/p>\n<p>3:30-4:45 Workshop 3 \u201c Intimate Graphic Emotions\u201d<br \/>\nChair: Nicoleta Alexoae Zagni<br \/>\n-Nathalie Vincent-Arnaud (Universit\u00e9 Toulouse Jean Jaur\u00e8s): \u201c\u2018This language of silence\u2019:  Picturing the Intimate in Black over Red (2005) and Other Poems by Lotte Kramer\u201d<br \/>\n-Marie-Agn\u00e8s Gay (Universit\u00e9 Jean Moulin Lyon 3): \u201c\u2018[Un]systematic, even with the image\u2019: Text-image Blurring, Self-Inquiry and Ontological Anxiety in Theresa Hak Kyung Cha\u2019s works\u201d<\/p>\n<p>SATURDAY SEPTEMBER 29      B\u00e2timent Max Weber (b\u00e2timent W) Universit\u00e9 Paris Nanterre<br \/>\n9:30-10:15  Keynote speaker Hertha D. Wong (University of Berkeley): Presentation of Picturing Identity. Contemporary American Autobiography in Image and Text<br \/>\nIntroduced by Nicoleta Alexoae-Zagni<\/p>\n<p>Coffee break 10:15-10:30<\/p>\n<p>10:30-12:00 Workshop 4  \u201cSelf and Community\u201d<br \/>\nChair: Corinne Bigot<br \/>\n-Nicoleta Alexoae-Zagni (Universit\u00e9 Paris 8): \u201cFraming herself then and now: Shirley Geok-lin Lim and the Evolving Practice of Family Albums\u201d<br \/>\n -Cristina Stanciu (Virginia Commonwealth University): \u201cCan the Survivor Speak? Image, Text, Testimony and the Limits and Representation in Canadian Life Writing about Residential Schools\u201d<br \/>\n -Dorothea Fischer-Hornung (Heidelberg University): \u201cLeslie Marmon Silko\u2019s Storyteller: Enmeshing Meaning through Visual Images and Oral narratives\u201d<\/p>\n<p>[lunch break 12:00-1:45]<br \/>\nAFTERNOON SESSIONS:  PARALLEL SESSIONS<br \/>\n1:45-2:45 Workshop 5  Lives of Women Artists I: \u201cOn (not) being able to paint\u201d<br \/>\nChair: Floriane Reviron-Pi\u00e9gay<br \/>\n -Elisabeth Bouzonviller (Universit\u00e9 Jean Monnet Saint-Etienne): \u201c\u2018Sometimes Madness Is Wisdom\u2019 or Zelda Fitzgerald Sketching a Tormented Flapper\u2019s Life\u201d<br \/>\n-Emilia Halton-Hernandez (University of Sussex): \u201c\u201cFinding Forms for Feelings: Doodling and the autobiographical act in Marion Millner\u2019s On Not Being Able to Paint\u201d <\/p>\n<p>2:45-3:00 Coffee break<\/p>\n<p>3:00-4:30 Workship 7  Lives of Women Artists II: \u201cFemale\/ Feminist Self-Portraiture\u201d<br \/>\nChair: Nathalie Vincent-Arnaud<br \/>\n-Edyta Frelik (Maria Curie-Sklodowska University, Lublin, Poland):  \u201cGeorgia O\u2019Keeffe as a Writer: A Tale Twice Told\u201d<br \/>\n-Nathalie Saudo-Welby (Universit\u00e9 Jules Verne Amiens Picardie): \u201cA Woman\u2019s Life of Pictures in an \u2018Age of Ugliness\u2019: Elizabeth Butler (1846-1933)\u201d<br \/>\n-Robert Kusek (University of Krakow) and Wojciech Szyma\u0144ski (Institute of Art History, University of Warsaw: \u201cOn Visual and Textual Self-Portraiture in Eva Hesse\u2019s works\u201d<\/p>\n<p>PARALLEL SESSONS<br \/>\n1:45-2:45 Workshop 6  \u201cA House of Mirrors\u201d (Trans)gender and Identity in Life Writing\u201d<br \/>\nChair: Val\u00e9rie Baisn\u00e9e<br \/>\n&#8211; Aurelia Mouzet (University of Arizona): \u201cReaffirming Realness:  Janet Mock\u2019s Transgender Autobiography\u201d<br \/>\n-Helo\u00efse Thomas (Universit\u00e9 de Bordeaux Montaigne ): \u201cThe Graphic Memoir as a Queer Home: Representing Lesbian Identities in Allison Bechdel\u2019s Works\u201d <\/p>\n<p>2:45-3:00 Coffee break<br \/>\n3:00-4:30 Workshop 8 \u201cEmbodied Life Experiences\u201d<br \/>\nChair:  Stephanie Genty<br \/>\n-Marta Fern\u00e1ndez-Morales (University of Oviedo): \u201cFrom Modeling to Cancer through Writing and Photography in Lynn: Front to Back\u201d<br \/>\n&#8211; Emma Dom\u00ednguez-Ru\u00e9 (University of Lleida, Catalonia):  \u201cShrink to Fit: Images in the Media and Cultural Assumptions about the Female Body. An Analysis of Contemporary Women&#8217;s Narratives of Anorexia\u201d<br \/>\n-Justyna Wierzchowska (University of Warsaw): \u201cIntersubjective Life Writing and Mutual Recognition in Mary Kelly\u2019s Post Partum Document\u201d<\/p>\n<p><strong>our guest speakers<\/strong><br \/>\nLaura Marcus<br \/>\nLaura Marcus&#8217;s research and teaching interests are predominantly in nineteenth- and twentieth-century literature and culture, including life-writing, modernism, Virginia Woolf and Bloomsbury culture, contemporary fiction, and litereature and film. Her book publications include Auto\/biographical Discourses: Theory, Criticism, Practice (1994), Virginia Woolf: Writers and their Work (1997\/2004), The Tenth Muse: Writing about Cinema in the Modernist Period (2007) and, as co-editor, The Cambridge History of Twentieth-Century English Literature (2004).<br \/>\nHer current research projects include a book on British literature 1910-1920, and a study of the concept of &#8216;rhythm&#8217; in the late nineteenth- and early twentieth-centuries, in a range of disciplinary contexts.<br \/>\nhttps:\/\/www.english.ox.ac.uk\/people\/professor-laura-marcus<\/p>\n<p>Lyn Thomas is part-time Professor Emerita of Cultural Studies at the University of Sussex and at London Metropolitan University. She is the author of a memoir, Clothes Pegs: A Woman\u2019s Life in 30 Outfits at http:\/\/www.clothespegs.net\/ and has contributed autobiographical writing to two edited collections: Watermarks: writing by lido lovers and wild swimmers, and True Tales from the Old Hill (Frogmore Press 2017 and 2015). Her academic books include Annie Ernaux, an introduction to the writer and her audience (Berg, 1999) Fans, Feminisms and \u2018Quality\u2019 Media (Routledge, 2002) and Annie Ernaux, \u00e0 la premi\u00e8re personne (Stock, 2005). She has also edited a collection Religion, Consumerism and Sustainability: Paradise Lost? (Palgrave, 2010), and co-edited The Theory and Politics of Consuming Differently with Kate Soper and Martin Ryle (Palgrave, 2008). In 2011 she co-authored a research report: \u2018Suspect Communities\u2019? Counter-terrorism policy, the press and the impact on Irish and Muslim communities in Britain, with Mary Hickman, Henri Nickels and Sara Silvestri. She has published many chapters and articles on Annie Ernaux; \u2018quality\u2019 media; radio soap opera; fan cultures; consumerism; and religion and media.<\/p>\n<p>Hertha D.Sweet  Wong<br \/>\nHertha D. Sweet Wong is Professor of English and Associate Dean of Arts and Humanities. She writes about and teaches autobiography, Native American literatures, ethnic American literatures, and visual studies. Her most recent book is Picturing Identity: Contemporary American Autobiography in Image and Text (Chapel Hill: University of North Carolina Press, 2018). Combining approaches from autobiography studies and visual studies, she argues that grappling with the breakdown of identity and representation, late 20th-century writers and artists experiment with innovative interart autobiographical forms in an attempt to challenge and convey ever contingent and shifting identities.The project examines the vexed topic of late 20th-century American subjectivity, shaped by history, culture, place, and community, as it is represented in a variety of image-text forms: story quilts, artists&#8217; books, comic books, experimental autobiographies, word paintings, illustrated memoirs, and photo-auto\/biographies. Such visual-verbal self-narrations provide a formal interart focus for examining questions about the possibilities of self-representation and self-narration, the boundaries of life writing, and the relationship between image and text.<br \/>\nShe is also the author of Sending My Heart Back Across the Years: Tradition and Innovation in Native American Autobiography (Oxford UP, 1992) as well as numerous articles on Native American literatures, autobiography, visual culture, and environmental non-fiction. She is editor of Louise Erdrich\u2019s \u201cLove Medicine\u201d:  A Casebook (Oxford UP, 2000). With Jana Sequoya Magdaleno and Lauren Stuart Muller, she is co-editor of Reckonings: Contemporary Short Fiction by Native American Women (Oxford UP, 2008) and with John Elder, co-editor of Family of Earth and Sky: Indigenous Tales of Nature from around the World (Beacon, 1994).<\/p>\n<p>https:\/\/english.berkeley.edu\/users\/75<\/p>\n","protected":false},"excerpt":{"rendered":"<p>programme 28 &#038; 29 September 2018 Universit\u00e9 Paris Nanterre, RER A, arr\u00eat &#8220;Nanterre Universit\u00e9&#8221; 200 avenue de la R\u00e9publique, Nanterre ROOM R13 BUILDING IDA MAIER FRIDAY<\/p>\n","protected":false},"author":1,"featured_media":127,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[9],"tags":[],"class_list":["post-128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-symposiums-conferences"],"uagb_featured_image_src":{"full":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png",539,749,false],"thumbnail":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108-150x150.png",150,150,true],"medium":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108-216x300.png",216,300,true],"medium_large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png",539,749,false],"large":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png",539,749,false],"1536x1536":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png",539,749,false],"2048x2048":["https:\/\/faaam.parisnanterre.fr\/wp-content\/uploads\/2018\/06\/arton108.png",539,749,false]},"uagb_author_info":{"display_name":"Webmaster","author_link":"https:\/\/faaam.parisnanterre.fr\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"programme 28 &#038; 29 September 2018 Universit\u00e9 Paris Nanterre, RER A, arr\u00eat &#8220;Nanterre Universit\u00e9&#8221; 200 avenue de la R\u00e9publique, Nanterre ROOM R13 BUILDING IDA MAIER FRIDAY","_links":{"self":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/128","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=128"}],"version-history":[{"count":1,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions"}],"predecessor-version":[{"id":197,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/posts\/128\/revisions\/197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=\/wp\/v2\/media\/127"}],"wp:attachment":[{"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=128"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=128"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/faaam.parisnanterre.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=128"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}